试卷名称:研究生英语学位课统考(GET)模拟试卷18

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It________(2 words) if it was at the theater or just on your own TV  Good morning, ladies and gentlemen! Let’s start this introduction to filmmaking with a simple question: How many of you have seen a movie this week? It doesn’t matter if it was at the theater or just on your own TV... Uh-huh, just as I thought; almost all of you have. Of course, most of us love the movies—the magic, the escape that they provide... but most of us rarely stop to think about the process of making a movie. Just what does it take to get that movie from the idea stage to the final product? What are the decisions that must be made? What problems are encountered? Exactly how does a movie studio go about making a movie? These are precisely the topics that we will be exploring today. There are six basic steps that are normally followed in the production of a full-length film. I’ll outline them for you. The first step is rather obvious... to make a film you must have an idea... a story... some topic for the project. The studio must find a property. That’s a key word, folks—property, p-r-o-p-e-r-t-y. You all know the common meaning of this word, of course, but in filmmaking the word “property“ has a very specific meaning. A property is the story on which the movie will be based. OK, it’s the story on which the movie is based. You are probably wondering why we call it a property... Well, it belongs to someone; it is their property and must be acquired by the studio, sometimes for quite a large sum of money. There are basically two kinds of properties. The first is an original story that has never appeared anywhere before—never been in a book, or magazine, or another film. In other words, the story was intended from the very beginning to be made into a movie. Star Wars is one good example of this type of property.

Just what does it take to get that movie from the idea stage to the________(2 words)?  

There are six basic steps that are________(2 words) in the production of a full-length film.  

Well, it belongs to someone; it is their property and must________(2 words) by the studio.  

In other words, the story was intended from the________(2 words) to be made into a movie.  

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It was supposed to be a quick diversion, Katie Inman told herself last week as she flipped open her laptop. She had two tests to study for, three problem sets due, a paper to revise. But within minutes, the MIT sophomore was drawn into the depths of the Internet, her work put aside. “I had just closed Facebook, but then I reopened it. It’s horrible,“ said Inman, a mechanical engineering major. “I would type a sentence for my paper, and then get back on Facebook.“ Desperate for productivity, Inman did something many of her classmates at one of the most wired campuses would find inconceivable. She installed a program that blocks certain websites for up to 24 hours. No social networking. No e-mail. No aimless surfing. While Inman took matters into her own hands, some MIT professors are urging college leaders across the country to free students from their binding to technology. Over the past decade, schools raced to connect students to the Internet—in dorms, classrooms, even under the old oak tree. But now, what once would have been considered abnormal is an active point of discussion: pulling the virtual plug to encourage students to pay more attention in class and become more skilled at real-life social networking. “I have been a bit suspicious about the value of making an entire campus wireless,“ said Lawrence Bacow, former chancellor of MIT, where he was a professor when it began wiring all classrooms in the mid-1990s. “It seems like everyone is always plugged in and always distracted.“ At MIT, where the Internet is accessible even near the banks of the Charles River, students’ eyes obsessively wander, midconversation, down to laptops and cellphones, checking for missed updates from friends. In class, professors complain about students trading stocks online, shopping for Hermes scarves, showing one another video clips on YouTube—leading some faculty to call for the unwiring of all lecture halls. “Students are totally shameless about how they use their computers in class,“ said David Jones, an MIT professor. “I imagine having a Wi-Fi jammer in my lecture halls to block access to distractions.“ While MIT has yet to unwire a single lecture hall, some law schools have in recent years blocked wireless access in classrooms to keep students engaged in Socratic discussions instead of their classmates’ Groupon and eBay activities. Since digital monsters have come, can hunters be far behind?
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It________(2 words) if it was at the theater or just on your own TVGood morning, ladies and gentlemen! Let’s start this introduction to filmmaking with a simple question: How many of you have seen a movie this week? It doesn’t matter if it was at the theater or just on your own TV... Uh-huh, just as I thought; almost all of you have. Of course, most of us love the movies—the magic, the escape that they provide... but most of us rarely stop to think about the process of making a movie. Just what does it take to get that movie from the idea stage to the final product? What are the decisions that must be made? What problems are encountered? Exactly how does a movie studio go about making a movie? These are precisely the topics that we will be exploring today. There are six basic steps that are normally followed in the production of a full-length film. I’ll outline them for you. The first step is rather obvious... to make a film you must have an idea... a story... some topic for the project. The studio must find a property. That’s a key word, folks—property, p-r-o-p-e-r-t-y. You all know the common meaning of this word, of course, but in filmmaking the word “property“ has a very specific meaning. A property is the story on which the movie will be based. OK, it’s the story on which the movie is based. You are probably wondering why we call it a property... Well, it belongs to someone; it is their property and must be acquired by the studio, sometimes for quite a large sum of money. There are basically two kinds of properties. The first is an original story that has never appeared anywhere before—never been in a book, or magazine, or another film. In other words, the story was intended from the very beginning to be made into a movie. Star Wars is one good example of this type of property.

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