试卷名称:北京英语水平考试(BETS)三级听力模拟试卷1

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You hear part of an interview in which a film director talks about his favourite movie. Why does he like the film?  Interviewer: So, do you have a favourite movie? Director: Oh ... that’s difficult. Well ... I think it has to be The Agents, the Mel Rivers movie. I like it because it reminds you that no matter how hard life is, or how many times you get knocked down by bad situations, things can get a whole lot worse. Interviewer: When did you first see it? Director: On television, late one night... I must have been about 16. There were moments when I just couldn’t stop laughing. It’s anarchic and silly, but it’s very warm. I love the friendship that develops between the two main characters.

A.It is very funny.

B.It is very exciting.

C.It is very romantic.

You hear a man talking about a sofa he bought. What is he complaining about?  Man: I think this is the last time I’m buying anything from that shop. I can’t believe how inefficient they are! But they’ve got reasonable prices. The next time I buy a sofa I’d be prepared to pay double to avoid all this stress. They came to deliver it, and when I saw it I thought this isn’t the sofa I chose, maybe the colour looks different in daylight. But it was mine. And then I realised that part of the cover at the back was torn and the filling was coming out. So I got them to take it away and now I have to wait two weeks to get it replaced.

A.He received the wrong sofa.

B.The shop overcharged him for the sofa.

C.The sofa was damaged.

You hear an actor talking about using different accents in his work. What point is he making about actors?  Man: Most actors start out with a bit of a regional or non-standard accent of some sort, but what tends to happen is that, at drama school, part of the training is to acquire what’s called ’standard English’. So you lose your original accent and when somebody says, you know, ’Do something in your old voice’, it takes a couple of minutes to click in and get your head round it again. I phone my parents and they say, ’My, you sound so English’, but then over here, I sometimes don’t get work because people can hear that I’m actually Australian, so I’ve got a bit more work to do there.

A.They need to study a wide variety of accents.

B.They have to be able to control their use of accents.

C.They should try to keep their original accents,

You hear part of an interview in which a man is talking about winning his first horse race. What does he say about it?  Interviewer: Can you still remember the thrill of it? I mean the first time you actually ride out there, out in front must be ... Man: Yeah, yeah, it was certainly a big thrill, but it was an evening event. It was the last race and it was almost dark by the time we’d finished and when I got home it was about ten or eleven o’clock, so there was very little time to think about it or do anything. And I had to be up at about half five the next day for my job, so unfortunately it was straight back to work really.

A.He found it rather disappointing.

B.He didn’t have a chance to celebrate.

C.He was too tired to care.

You hear a writer of musicals talking on the radio. What is he trying to explain?  Man: I was always fascinated by the musical theatre, from the very word go. My aunt was an actress, not a particularly successful one, but I thought her world was unbelievably glamorous. And she used to take me to London to see some of the American musicals which were on in Great Britain some time after they were on in New York, and so I got to see a lot of things at a very early age. It just grabbed me, it was one of those things

A.why his aunt’s career was net very successful

B.the difference between American and British musicals

C.his reasons for becoming a writer of musicals

You hear the beginning of a lecture about ancient history. What is the lecture going to be about?  Woman: The earliest records of this trade go back to the Ancient Greek period with various deals around the Mediterranean area. Unlike the trade in more decorative or luxury goods, however, few written records remain. So, we mostly rely on archaeological evidence which does show, for example, that designs for swords spread from Greece to the rest of Europe. And using the type of research more usually associated with the spread of artistic trends, we can now show how the equipment necessary to do battle was being exported.

A.trade in arms and weapons

B.trade in luxury household goods

C.trade in works of art

You hear a man talking about traveling from London to France for his job. What does he say about the train journey?  Man: The best thing about the Eurostar train is that it is city centre to city centre. I almost always travel with colleagues and we use the train as a second office. Sometimes there are as many as nine of us and I schedule formal meetings to have on the train. I invite suppliers and clients, who have meetings in Paris on the same day, to travel with us so we can discuss business. It’s a perfect opportunity to talk without the distractions of the office-we don’t switch on our mobile phones.

A.He’s able to use it to his advantage.

B.It’s a boring but necessary part of his job.

C.He enjoys the social aspect of it.

You hear a woman in a shop talking about some lost photographs. What does she think the shop should give her?  Woman: It’s no good just standing there saying you’re sorry, because that isn’t going to give me the photographs you’ve lost, is it? And I took them on a once-in-a- lifetime holiday, so it’s impossible to replace them. It didn’t cross my mind for an instant that you could lose a roll of film, just like that. To be frank, I think it’s an insult just to offer me a new roll in its place. I would expect at the very least to be offered a refund and compensation for the loss and inconvenience, even if it isn’t your normal policy.

A.some money

B.a replacement film

C.an apology

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You hear part of an interview in which a film director talks about his favourite movie. Why does he like the film?Interviewer: So, do you have a favourite movie? Director: Oh ... that’s difficult. Well ... I think it has to be The Agents, the Mel Rivers movie. I like it because it reminds you that no matter how hard life is, or how many times you get knocked down by bad situations, things can get a whole lot worse. Interviewer: When did you first see it? Director: On television, late one night... I must have been about 16. There were moments when I just couldn’t stop laughing. It’s anarchic and silly, but it’s very warm. I love the friendship that develops between the two main characters. It is very funny. It is very exciting. It is very romantic.
Before his retirement, Brian worked as a pilot for a company called (9)______ for a long time. Brian feels like a bird when flying his micro light because he doesn’t have a (10)______ around him. Brian disagrees with the suggestion that steering a micro light is like steering a (11)______ Brian’s record-breaking flight ended in (12)______ Brian organised his flight in advance to avoid needing other people as (13)______ on the way. Brian’s micro light was modified so that it could carry more (14)______ on board. It took Brian (15)______ to plan the record-breaking flight. Brian feels that flying over miles and miles of (16)______ was the most dangerous part of the trip. Brian describes his navigation system as both (17)______ and easy to use. Brian says that his main problem on the flight was the fact that he became very (18)______Interviewer: Now, today I have with me Brian Cole ford and he’s someone who spends a lot of time up in the air in that smallest of aircraft, the micro light. Hallo Brian. Brian: Hallo. Interviewer: But it’s more than just a hobby, isn’t it? Brian: Oh yes, I learned to fly when I was at university and I worked as a British Airways pilot for many years until my retirement. These days I spend a lot of my time helping people who want to learn how to fly a micro light, as well as other types of aircraft, at a local flying club. Interviewer: Tell us about the micro light Brian: Well, it’s like a very small aircraft, which is powered by an engine. The thing with micro light flying is that it’s the closest you can get to actually feeling like a bird because you’re out in the open air, there’s no cabin or anything around you. Interviewer: Oh I see ... Brian: And although it’s powered, the way it’s controlled is by moving your own weight, you steer it by moving your body one way or another. Interviewer: So you have to lean over like you would on a motorbike? Brian: You don’t lean really, you actually have to push. So you have to be quite fit especially for a long flight. Interviewer: Which brings us on to the other thing which I know about you and that is that you’ve recently broken a world record. Tell us about that. Brian: Well, it involved flying over four continents because I left from London and flew over Europe, Africa and Asia on the way to Australia. No one had ever done that before in a micro light. Interviewer: The organisation for a long flight must be very difficult indeed, Brian. Surely you didn’t do it all on your own? Brian: Yes, I had no helpers. It was a matter of planning my route in advance and finding out where I’d be able to get fuel en route and knowing how far I could plan to travel safely each day. Interviewer: So how far can you travel on one tank of fuel? Brian: Well, I had a special fuel tank fitted -- that was the only way in which my micro light was modified for the flight. So that meant I had enough fuel to be able to do about eight hours. The actual distance I covered depended on the winds, of course, but the still-air distance was round about 500 miles a day. It took nine months to plan the 49-day flight, and for each leg I filed a flight plan so that each airport I would land at knew that I was on the way, and if I didn’t arrive within half an hour of the time I’d stated, then they’d have started looking for me. Interviewer: Yes I’m sure that’s very necessary. What radio, if any, did you have? Brian: Yes; I had a two-way VHF radio, but the range of that was only 70 miles, so there was a lot of time when I was out of radio contact with anybody. I crossed thousands of miles of desert and mountain which is quite dangerous, of course, should anything go wrong, and 5,000 miles of the trip was over the sea, which is even more so. Interviewer: So how did you find your way? Brian: Well, I had a navigation system which uses satellite signals. It was really easy to use and, I must say, very accurate. I couldn’t say I had any problems in knowing where I was or which way I was going. Interviewer: And what sort of protection did you have? I mean, you weren’t just dangling in the cold air, were you? Brian: Yeah, I just wear a warm flying suit and warm clothes underneath. The coldest was going over the Alps, it was minus 28 degrees there, because I was quite high up. But actually feeling tired was my real problem because it was often dark by the time I landed and I was leaving again at first light. I was never hungry because I was met by such great hospitality everywhere I went. Although sadly i didn’t get to see much of the places I visited. Interviewer: Well, Brian, many congratulations. It’s a wonderful achievement and thank you very much for coming in today and talking about ...
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You will hear a radio discussion in which four people are talking about the advertising of children’s toys on television. For questions 24-30, decide which views are expressed by any of the speakers and which are not. Write YES for those views which are expressed, and NO for those which are not expressed.Most young children are aware when advertisements are being shown on television.Interviewer: Today we’re talking about the advertising of toys. With me I have Anna Thompson, a member of an environmental group and mother of three, David Wheeler, father of two and manager of a marketing company, and Jim East here is an Advertising Standards Officer who makes the rules about television advertising in Britain. Anna, first, your group has been asking people to stop and think before they go out and buy more toys. Anna: Yes, parents are under more and more pressure to buy the latest toy for their child and we feel that television advertising is at fault. A lot of it is targeted at children of maybe five or six. There’s evidence that these children don’t distinguish between the advertisements and the programmes so they enjoy the pictures and the stores and then of course they want the product. Interviewer: Do you think though that today’s children are any different from children ten, twenty, even thirty years ago? Anna: If you look at the kind of top toys, you’ll find that 20, 30 years ago the same toys would run over two, three or four years and now you’ll find that there are lots Of new ones each year. We’re talking about the way new things are pushed at kids, every five minutes practically. David: Can I just come in there and say that advertising on British television by toy manufacturers to kids is actually decreasing and it has been for the last six years. Anna: But spending on advertising has increased -- the advertisements which do appear are much more sophisticated and have had more money spent on them. David: But for a toy manufacturer to keep its share of the market, it has to do just that. Traditional toys are having a hard time now from all the other things aimed at kids -- competition from videos, computer games and the rest. What used to be spent on toys now has to be shared with all these newer and probably more exciting products. Interviewer: Jim, what are the rules governing the advertising of toys to children in Britain? Jim: OK, very briefly, advertisers are not allowed to say, “go and ask your parents for this product“. What they show in terms of the product itself has to reflect what the product can actually do, It mustn’t do magical things on television that it can’t do in real life. Interviewer: I’m a mother of four small children myself and what I wonder when I watch the advertisements is how they can show something which I know is tiny and plastic but it’s shot in such a way -- the camera work and the lighting and stuff—that it looks very attractive. Are they allowed, those sorts of advertisements? Jim: Well, in toy advertisements, unlike for other products, advertisers are obliged to show some kind of familiar item that kids will recognise and put it next to the toy so that you can tell how big it really is. Advertisers can, though, show their products in the best light as long as it’s not actually misleading. Interviewer: How about if toy advertisements weren’t allowed until after 8 pm, when most children are in bed. What difference would that make? David? David: Well, very little, I’d say. For a start 8 pm isn’t significant: a quarter of all children’s viewing takes place after that time, even some of the young children, four to sevens, are watching then. But, really why shouldn’t the kids see the adverts? Anna: Because advertising is teaching kids that they can use something a few times and then throw it away. It doesn’t do them any good and it certainly doesn’t do the planet any good. Jim: I have to say that we deal with all the complaints about toy advertising on television and we get a handful each year. The research we’ve done indicates that the majority of people find toy advertising acceptable. Interviewer: Well, we have to leave it there, so thank you. YES NO

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